Mossback

Why Is There a Stonehenge in Washington?

The millionaire built a 'castle' on the Columbia River and later a replica of the English monument.
The Stonehenge that sits atop Salisbury Plain in Wiltshire, England, has long inspired speculation of its purpose and imitators to its form. One of those imitators overlooks the Columbia River in Washington state where it inspires questions: Who built the replica and why?
The answer to the first part of that question is Samuel Hill, a wealthy railroad man who marveled at the landscape the abutted the river and who enjoyed building things out of concrete, including the replica and roads.
In a recent episode of the Mossback’s Northwest video series, Knute Berger tells the story of Sam Hill and his concrete curiosity overlooking the Columbia.
But there is more to the story. For this episode of the Mossback podcast, Berger and co-host Stephen Hegg explore the origins of the monument and attempt to answer the second part of the question: Why?
Before listening, we suggest you watch the Mossback's Northwest episode about Samuel Hill and his Stonehenge here.
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Credits
Hosts: Stephen Hegg, Knute Berger
Producer: Seth Halleran
Executive producer: Mark Baumgarten

How the Frango Became a Northwest Fixture

For decades, department stores competed for customers. Knute Berger recalls how Frederick & Nelson lured them in with a chocolate mint truffle.
Food does more than feed us. It connects us, to each other, to traditions and to place. This is true everywhere, but especially in the Pacific Northwest, where an abundance of life creates endless options for indulgence. 
Salmon, apples and even chicken teriyaki all have a spot in the hearts of Northwesterners, but there is one delectable that seems to inspire a particularly intense and mouthwatering nostalgia: the Frango.
Host Knute Berger and Stephen Hegg discussed the Seattle-made chocolate treat in a recent episode of the Mossback’s Northwest video series. But there is more to the story.
For this episode of the Mossback podcast, Berger and co-host Stephen Hegg dig into the origin and cultural impact of the Frango. They discuss how the chocolate mint truffle was a part of a larger department-store culture that shaped the rituals of the region for many, and they explore some of the other sweets created here.
Before listening, we suggest you watch the Mossback's Northwest episode about Frangos and other Northwest delights here.
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Credits
Hosts: Stephen Hegg, Knute Berger
Producer: Seth Halleran
Executive producer: Mark Baumgarten

The Naked Truth of Nature Man

Earnest Darling was a regular Northwestern kid until an illness inspired him to shed his clothes and take to the woods. Fame followed.
On the desk of Crosscut's resident historian Kute Berger sits a black-and-white photograph of a man with a kind of contemporary look. He is standing, bearded, in what looks like a tropical setting. And he’s wearing a mesh crop top. 
This is Earnest Darling and the photo, surprisingly, was taken in 1908. "He looks like someone I went to college with at the Evergreen State College in 1972," says Berger. 
Darling did go to college, at Stanford University, but dropped out and became a wanderer in a loincloth, living off the land, inspiring numerous newspaper articles and even striking up a friendship with adventurer and author Jack London. 
In a recent episode of the Mossback’s Northwest video series, Berger tells the story of Darling and his rise to fame as an early-20th century curiosity. 
But there is more to the story. For this episode of the Mossback podcast, Berger joins co-host Stephen Hegg to discuss Darling's origins, his various sojourns and the difficulties the proto-hippie faced as he challenged the conventions of his time.
Before listening, we suggest you watch the Mossback's Northwest episode about Earnest Darling here.
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Credits
Hosts: Stephen Hegg, Knute Berger
Producer: Seth Halleran
Executive producer: Mark Baumgarten
 

When Holllywood Came to Seattle

When a film is shot in a city, it is often a big deal. There are lots of trucks, lots of crew and lots of traffic disruption. It’s big business, and for the latter decades of the 20th century it was business that was often done in Seattle.
Tugboat Annie, the first Hollywood film shot in the Emerald City, came to town in the 1930s. But it wasn’t until the early ’60s that Seattle really became a destination for directors and actors. It started with the Elvis Presley vehicle It Happened at the World’s Fair and continued with The Parallax View and Scorchy in the ’70s up to Singles and Sleepless in Seattle in the ’90s.
Crosscut's resident historian Knute Berger reviewed this filmography in a recent episode of his Mossback's Northwest video series, but there is much more to explore. 
For this episode of the Mossback podcast, Berger and co-host Stephen Hegg talk about the movies made in and about Seattle, why Hollywood came to the city to make them and what these films tell us about how people outside of Western Washington see the city. 
Before listening, we suggest you watch the Mossback's Northwest episode about movies made in Seattle here.
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Credits
Hosts: Stephen Hegg, Knute Berger
Producer: Seth Halleran
Executive producer: Mark Baumgarten

The Tree Stump Craze That Swept the Northwest

During the timber boom, opportunists turned the remains of old-growth trees into homes and postcard spectacles.
The timber boom of the early 20th century reshaped both the places and the population of the Pacific Northwest. At one point, 63 percent of wage earners in Washington were drawing a paycheck from the industry that was felling the old-growth forests to produce lumber and profits.
The remains of those trees – their massive, imposing stumps – served as a kind of cultural signifier for the people and an inspiration for their creativity and ingenuity. Images of stumps as homes, dance floors and stages for feats of derring-do proliferated. 
Crosscut's resident historian told the story of these gargantuan stumps in a recent episode of his Mossback's Northwest video series, but there is much more to explore. 
For this episode of the Mossback podcast, Berger and co-host Stephen Hegg talk about the outsized influence of these stumps on the region’s early settlers. They discuss the reasons the stumps were so high, the photographers who made them famous and the long-term effects of the destruction that created them.
Before listening, we suggest you watch the Mossback's Northwest episode about the stumps here.
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Credits
Hosts: Stephen Hegg, Knute Berger
Producer: Seth Halleran
Executive producer: Mark Baumgarten

When the Confederacy Came to Seattle

Decades after the Civil War, southern sympathizers sought to rewrite history. Knute Berger explains how those efforts were received in the Northwest.
When Gone With the Wind premiered in Seattle in 1940, it was an event. Moviegoers who ventured Downtown to attend a showing of the Civil War drama were met with fanfare. The street outside The 5th Avenue Theatre, where the film was playing, was decorated as if for a Fourth of July parade, with one notable exception: the presence of Confederate flags. 
These flags could be seen in brief footage of Downtown that was featured in an earlier episode of the Mossback's Northwest video series about the Seattle Freeze. And while the production team didn't notice, viewers did. 
In a recent episode of Mossback’s Northwest, Knute Berger and producer Stephen Hegg discuss the feedback and the historical investigation that followed. But there is still more to the story.
For this episode of the Mossback podcast, both Berger and Hegg discuss changing attitudes toward the Confederacy and toward race in Seattle as our city’s Southern sympathizers attempted to rewrite the narrative of the Civil War.
Before listening, we suggest you watch the Mossback's Northwest episode about the Confederacy in the Northwest here.
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Credits
Hosts: Stephen Hegg, Knute Berger
Producer: Seth Halleran
Executive producer: Mark Baumgarten

The Case of the Pickled Orca

Long before an industry was built around capturing orcas, a tragic encounter between a wayward whale and humanity foretold decades of exploitation.
There are few animals that capture the imagination of human beings the way that orcas have. For decades people have paid money to see them, scientists have studied them intently and, in the Seattle area, concerned news consumers have tracked their every move.
At the start of the 1930s, though, there wasn’t yet a market for whale watching. Enter Ethelbert, a young 11-foot-long female orca who appeared in a place she was not expected: The Columbia River, 100 miles upstream from the Pacific Ocean near Portland, Oregon.
In a recent episode of the Mossback’s Northwest video series, Knute Berger tells the story of Ethelbert, from the carnival-like atmosphere that grew up around her unlikely appearance to her tragic end, pickled in a steel tank on the side of a Washington mountain.
But there is more to the story. For this episode of the Mossback podcast, Berger joins co-host Stephen Hegg to discuss Ethelbert’s brief fame and how her fate foreshadowed the curiosity and industrial-level exploitation that humanity would inflict on her species.
Before listening, we suggest you watch the Mossback's Northwest episode about Ethelbert here.
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Credits
Hosts: Stephen Hegg, Knute Berger
Producer: Seth Halleran
Executive producer: Mark Baumgarten

The New Deal and the Northwest

From cheap power to rugged hiking trails, Franklin D. Roosevelt's government transformed the region.
When President Roosevelt launched the New Deal in 1933, he set off a decade-long mobilization that would help move America out of the Great Depression.
It was a massive program that not only provided jobs, but also modernized infrastructure throughout the country. In the Pacific Northwest, where the resource economy was hit hard by the Depression, it reshaped society and even remade the land.
Crosscut's resident historian Knute Berger told the tale of the New Deal and its impact on the Pacific Northwest in a recent episode of the Mossback's Northwest video series, but the New Deal is bigger than any single video could contain. 
For this episode of the Mossback podcast, Berger joins former Mossback's Northwest producer, and new Mossback co-host, Stephen Hegg about the ways that the program transformed the Northwest and how the region's most massive project helped set the course for the next century.
Before listening, we suggest you watch the Mossback's Northwest episode about the New Deal here.
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Credits
Hosts: Stephen Hegg, Knute Berger
Producer: Seth Halleran
Executive producer: Mark Baumgarten

Frank Waldron and the Jackson Street Jazz Scene

Before there was Ernestine Anderson, Ray Charles and Quincy Jones, there was Frank Waldron.
The unfortunate irony of Seattle’s storied jazz scene of the early 20th century is that there are many stories but not much jazz to account for it. While recording technology existed at the time, it wasn’t being used to capture much of the music being created in those early years of the Jackson Street music scene.
The music has instead spread its influence through compositions and the living tradition of musicians passing the music down through generations. On both counts, Frank Waldron was an original. As a composer, performer and teacher, Waldron helped shape music in the city and across the country for decades.
Crosscut’s resident historian Knute Berger told the tale of Waldron and the Jackson Street music scene in a recent episode of his Mossback’s Northwest video series, but there is more to the story.
For this episode of the Mossback podcast, Berger and co-host Sara Bernard explore Waldron’s music and discuss the origins of a scene that broke both the rules and racial barriers and gave rise to stars including Ernestine Anderson, Ray Charles and Quincy Jones.
Before listening, we suggest you watch the Mossback's Northwest episode about Jackson Street jazz scene here.
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Credits
Hosts: Sara Bernard, Knute Berger
Producer: Jonah Cohen
Executive producer: Mark Baumgarten

Emily Carr’s Mysterious and Majestic Forests

The Canadian artist created landscapes unlike her contemporaries’, intuiting the web of life beneath the canopy and putting it on canvas.
As a painter in early 20th-century British Columbia, Emily Carr approached her subject matter through a colonial lens and expressed what she saw with a modernist style developed in the studios of London and Paris. She earned renown for her early depictions of Indigenous cultures, work that would later be criticized as appropriative. 
It was later in her career, though, that she focused more intently on the forests themselves, intuiting a web of life beneath the canopy that would eventually be proven by science. Her paintings from this era are unlike those of her contemporaries, capturing the mystery and majesty of these natural landscapes in vivid form.
Crosscut’s resident historian Knute Berger explored this part of Carr's career in a recent episode of his Mossback’s Northwest video series, but there is more to the story.
For this episode of the Mossback podcast, Berger and co-host Sara Bernard discuss how Carr's living landscapes came to be and how the power of the Pacific Northwest's forests have long inspired powerful artwork, personal reverie and even a kind of evangelism.
Before listening, we suggest you watch the Mossback's Northwest episode about Emily Carr here.
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Credits
Hosts: Sara Bernard, Knute Berger
Producer: Jonah Cohen
Executive producer: Mark Baumgarten